She recounts a tale of when she heard about Trump's Muslim ban, she just found herself in a cab on the way to JFK to help because her 'pink pussy hat wasn't cutting it anymore.' Her first day at school is problematic and awkward and her blundering monologue at her Black lecturer Dr Naya Harris (Karen Pittman) is excruciating. She has left corporate law after 30 years because she ‘couldn’t be part of the problem'. Miranda is going back to school to Columbia to study a Masters in policies and principles of humanitarian law And I'm not the only one's who think this, Deadline has branded it: “awkward, uncomfortable and trying too hard.”īy Lucy Morgan 3. Perhaps it's a good way of igniting important conversations amongst some of the older SATC demographic? But to me it feels jarring and at times, inappropriate. As the episodes develop (there are currently two out of 10 available on NOW and Sky Comedy) we see the three women grapple with living (in privilege) in New York City in 2021, and perhaps this a brave, realistic way of tackling how the world has moved on since they were last skipping round Manhattan in Manolos. The change seems at best exaggerated, at worst, farcical.
Their attempts at change seem performative and awkward.
In fact, we can't escape how much has changed – it is all around them on steroids – but what seems jarring is how Carrie, Charlotte and Miranda have not, even though they're really really trying. Yes, they are constantly making references to how times have changed – in fact, the writers ram that down our throats at every given opportunity: a passing reference to Covid and lockdown, a lot of talk about podcasts, pronouns and Pelotons.
0 kommentar(er)
